We proudly offer the bios of our accomplished teachers.
Laura Cahill wrote the play Hysterical Blindness and adapted it into the film of the same name (HBO), which premiered at the Sundance Film Festival and for which she was nominated for an Independent Spirit Award for Best First Screenplay, a Writers Guild Award, and a Primetime Emmy in Outstanding Writing for a Miniseries/Movie/Dramatic Special. She wrote the pilot and six episodes of the TV series Pornopolis for IFC, and has written pilots for HBO, Touchstone, Paramount, and WB. She adapted the screenplays for What Matters Most, The Down Low, and B Mother (all for Lifetime), and wrote the original screenplays Witness Protection (CBS) and Boston Strangler (USA). Her plays include Sondra (Apothecary Theater Company), Mercy (Vineyard Theatre), Jersey Girls Go to the Park (Urban Empire), and The Way and Stalker (both Naked Angels).
Richard Caliban was artistic director of Cucaracha Theater in NYC where he produced new works and directed his own plays, including Homo Sapien Shuffle at the Public Theatre. His work has been seen at Primary Stages, Playwrights Horizons, Cherry Lane, Ensemble Studio Theatre, La Mama, Alabama Shakespeare Festival, Geva Theatre, Denver Center Theatre, and the Berkshire Theatre Festival. He wrote the book/lyrics/music and directed MoM: A Rock Concert Musical, which won Outstanding Musical at the NY International Fringe Festival. Published plays include Rodents & Radios, Gladiator, Famine Plays, and Cranium Fandango. He has directed and/or taught at the National Theatre Conservatory, NYU, Columbia University, C.W. Post College, Hunter College, City College of New York, Towson University, Lincoln Center Director’s Lab, and the Director’s Guild. He holds a BA from Bard College and attended the Yale School of Drama and NY Film Academy.
Kuros Charney has had plays produced at numerous theaters, including Shame and Desire (Stella Adler Theatre), The Man from Brazoria County (ALAP New Works Lab), The Moving Forward of Souls (Coronet Theater), Anger (Elephant Theatre), and The Humanist (Dayton Playhouse). He wrote the feature film Another City, which premiered at the Manhattan Film Festival, and the feature screenplays Used Books, which was developed with actor/producer LeVar Burton (Eagle Nation Films), and The Sea Between, commissioned by producer Elizabeth Kahn (Forever After Project, Inc.). His work has appeared in New York magazine, Another Chicago Magazine, and FOLIO. He holds a BA from UC-San Diego and an MFA in Film from USC.
Cleve Lamison is the author of the science fiction novel Full-Blood Half-Breed (Penguin Random House), and he is a contributing writer to Suvudu.com, a science fiction and fantasy blog at Random House. He is consulting producer of the short film Superman Doesn't Steal, which won Best Film at the Diversity In Cannes Short Film Showcase and the A Day In the Sun Film Festival, and was selected by the Cleveland International Film Festival, among many others. He was a staff writer for the television show Craig Ross Jr.’s Monogamy (Urban Movie Channel), and he wrote and directed the feature film Following Bliss, which won Best Feature Film at the Global Arts International Film Festival. His short film "The Story" won the Denver World Film Festival, and his short film "Jack for President" was a runner-up in the New York 24-Hour Filmmaking Contest. He was the artistic director of the BlackBird Theatre Company in NYC; created, wrote, and drew the cartoon strip Rick the Roach for the Richmond News Leader; and is a veteran of the U.S. Army Reserves. He holds a BA from Virginia Commonwealth University.
Nelsie Spencer is the author of the novel The Playgroup, (St. Martin’s Press). She wrote the feature screenplay A Girl's Best Friend and co-wrote the feature film Valley Inn, which debuted at the Palm Beach International Film Festival. She wrote, produced, and co-hosted the radio show The Radio Ritas, (Greenstone Media) and hosts the podcast Losing It. She co-wrote and starred in the play My Heart Belongs To Daddy, produced at the Pittsburgh Public Theater and Duke University’s Pre-Broadway series. She performed her one-woman show Day of the Dead Daddy at the Chain Theatre in New York City, at the Denver Fringe Festival, and it won an honorable mention in Solo Fest at the Marsh Theater in San Francisco. She studied dance and theater at Orange Coast College, and fiction at The New School.
